I still have the 57s and the D112, all the others are gone and replaced. When I was 20ish I bought 3 57's, a D112, and a pair of audio technica condensers, some stupid mic that was a "snare mic" with a built in gate, and a rode nt-1 (which was pretty dope). I don't know, bang for your buck the MXL 3000 may be a steal, but I the MXL mics I've heard sounds like poo.but I own a pair of 414s and I am much further along in age and career so take my advice with a grain of salt. I doubt you could get much more than 1/2 your money back on such an inexpensive mic. The question is, can you sell your MXL close to the price you pay for it when you want to upgrade? If so, sure, get it and upgrade when you can. But obviously they are more specialized and won't work as well for vocals as a large diaphragm condenser. These are all dynamic mics that are not as versatile, but they have a place in a pro studio (the 57 more than the others). Sleepy_McTiredson mentioned the MXL 3000, which retails around $150, an SM-57/58 is $100, a Beta 52/D112 is around $200. Why not consider some cheaper mics in the MXL price range that will still be useful to you once you have money for good mics. Well, MXLs aren't going to sound like or as good 414s which you know, so are you going to be happy with something that doesn't sound as good but will let you record? Or look at it this way, if you know you are buying a mic that is subpar compared to what you use at school, it is safe to say your recordings aren't going to be as good from a technical standpoint. They look like MXL took the ol' 990 and gave it a different EQ curve via electronics and shoved it in a square body. almost curious enough to just order one for the hell of it. WTF?! Have any of you used one of these things? I'm morbidly curious. I just looked at Guitar Center's array of MXL options and saw the Guitar Cube and Drum Cube mics. The more expensive options at the studio blow them out of the water no comparison. Didn't like a single one enough to keep it. I also have a fair amount of experience with a few LDCs from MXL, and i sold them all. We were recording to a tape machine, so maybe that's what was making the top end sound pleasant to me, but when we put up the pair in Glyn Johns / recorderman style, it was very well balanced and the cymbals weren't garish like I thought they would be. I just today spent a little time with a 993 pair for the first time helping out a friend learn how to record his drums at home. I know I've owned them both, but I don't remember which I kept. I think it's a 603? Does that sound right? Maybe it's a 991. +2 Overview Application-specific condenser mic with optimized EQ curve to record electric guitars with punch and presence. Granted, I have MUCH "better" SDCs around the studio for general use, but in a pinch I honestly don't mind throwing the one that I still own out on something when needed - like a hi-hat mic or a ride spot mic or something. A foam-lined plastic carrying case is included.You know what, I consider myself an audio professional, and I've never actually had any real problem with MXL's various small diaphragm condensors. (including the stand adapter) and it weighs 2 lbs with the included 2-meter cable. The dimensions of the microphone are 7.5 × 2.5 × 2.9 in. The front side provides a crisp, clean sound that picks up high frequencies well and the rear lobe features a classic ribbon microphone roll-off in the high frequency range, giving a smoother timbral response. The front and rear lobes of the microphone provide two different distinct audio timbres. The mounting system is also designed for flexibility of positioning. The anodized aluminum finish of the exterior and the integrated elastic shock mount combine to form a stylish design. The frequency response is 20 Hz to 18 kHz (± 3 dB) with an output sensitivity of –55 dBv and an SPL response greater than 115 dB SPL. Recording Engineer Barry Rudolph Reviews Musical Instruments, software and. The pure aluminum transducer is 1.8 microns thick with a width of 4.7 mm and a length of 59.7 mm. The microphone features a large ribbon transducer and protection from windblast, making it a useful microphone for recording vocals, percussion, and signal from guitar amplifiers (see Figure 1). Buscar Adrar TV en la web y luego descargar e instalar. Inicia Bluestacks y completa el inicio de sesión de Google para acceder al Play Store. Guía como Instalar Adrar TV apk en PC Windows 7 /8 /10 / 11. Audio Engineering Associates R92 Studio Ribbon MicrophoneĪudio Engineering Associates (AEA) has released a ribbon microphone designed for close microphone setups.
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